Category: Uncategorized
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SALTBURN REVIEW: EMERALD FENNELL INVITES YOU TO “COME INSIDE” FOR THE MOST DEVIOUS PARTY OF THE YEAR
A vampire has to be invited into your home before it can enter. Those are the rules. Without your invitation they can only view and plan from a distance. One of the more terrifying aspects of the ancient lore is…
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THE KILLER REVIEW: DAVID FINCHER KNOWS TO “STICK TO THE PLAN” IN AN IMPRESSIVE NOIR THAT PLAYS LIKE A BEST HITS ALBUM
Every detail must be exact. It is the only method David Fincher knows. A director who has become infamous not just for his films, but his meticulous ways of setting up shots and making his cast and crew go through…
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KILLERS OF THE FLOWER MOON REVIEW: SCORSESE IS STILL THE MASTER IN A HORRIFYING LOOK AT COMPLIANCE TO HATRED
Martin Scorsese has always wanted to make a western. It has been in his cinematic blood probably longer than he can remember. Well actually scratch that knowing Scorsese from the thousands of interviews he has done he can probably tell…
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THE SWEET EAST NYFF REVIEW: TALIA RYDER IS COMMANDING IN A LABYRINTH OF TEENAGE REBELLION
Every once in awhile you see a film that feels tailor made for you. This does not always mean it is a film you can fully relate to on a personal level, but rather in awe of the filmmakers ability…
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MAESTRO NYFF REVIEW: BRADLEY COOPER AND CAREY MULLIGAN ARE MAGNIFICENT IN AN EXQUISITE SCENES FROM AN ORCHESTRA MARRIAGE
What is a marriage? A question that is far from simple and although many of us engage in such life changing activity finding a perfectly secure marriage is near impossible. It is also a subject that has been dissected in…
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POOR THINGS NYFF REVIEW: EMMA STONE ASKS “WHAT WAS I MADE FOR” IN YORGOS LANTHIMOS’ BONKERS, SEX DRIVEN AND CURIOUS FEMINIST ODYSSEY
You wouldn’t be wrong in watching POOR THINGS and thinking it asks the same question as another mega film from this year. And that question is “what was I made for?” Here however this question is answered through its own…
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MAY DECEMBER NYFF REVIEW: TODD HAYNE’S LATEST IS AS UNCOMFORTABLE AS IT IS GLORIOUS
Todd Haynes was never going to make it easy to digest. No should it ever be. The director known for leaving you with peculiar lasting thoughts and scandalous ideas at times has found with MAY DECEMBER a script (written by…
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