Category: Uncategorized
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THE SWEET EAST NYFF REVIEW: TALIA RYDER IS COMMANDING IN A LABYRINTH OF TEENAGE REBELLION
Every once in awhile you see a film that feels tailor made for you. This does not always mean it is a film you can fully relate to on a personal level, but rather in awe of the filmmakers ability…
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AGGRO DR1FT NYFF REVIEW: KORINE CONTINUES TO PUSH THE BOUNDARIES WITH A DEMONIC ACID TRIP
Harmony Korine is thinking on a whole different level. One can say that the rebel and controversial filmmaker was never fully on this planet to begin with, whether it was creating art through recklessness, a drug induced journey or just…
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SCI-FI DOUBLE REVIEW: THE CREATOR AND FOE HAVE GRAND IDEAS WITH ROBOTIC EXECUTION
Science fiction films have always been able to show where we are as a society, where we want to go and all the mistakes we will most likely encounter. Well with two new science fiction films out (one based on…
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MAESTRO NYFF REVIEW: BRADLEY COOPER AND CAREY MULLIGAN ARE MAGNIFICENT IN AN EXQUISITE SCENES FROM AN ORCHESTRA MARRIAGE
What is a marriage? A question that is far from simple and although many of us engage in such life changing activity finding a perfectly secure marriage is near impossible. It is also a subject that has been dissected in…
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ALL OF US STRANGERS NYFF REVIEW: ANDREW HAIGH SHATTERS YOUR HEART WITH A GAY GHOST STORY THAT LEAVES NO DRY EYES
There is often no point in moving on from the past because the past will always stay with you. While many may view moving on as a way of processing one’s own trauma or grief this can never truly be…
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POOR THINGS NYFF REVIEW: EMMA STONE ASKS “WHAT WAS I MADE FOR” IN YORGOS LANTHIMOS’ BONKERS, SEX DRIVEN AND CURIOUS FEMINIST ODYSSEY
You wouldn’t be wrong in watching POOR THINGS and thinking it asks the same question as another mega film from this year. And that question is “what was I made for?” Here however this question is answered through its own…
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MAY DECEMBER NYFF REVIEW: TODD HAYNE’S LATEST IS AS UNCOMFORTABLE AS IT IS GLORIOUS
Todd Haynes was never going to make it easy to digest. No should it ever be. The director known for leaving you with peculiar lasting thoughts and scandalous ideas at times has found with MAY DECEMBER a script (written by…
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DUMB MONEY REVIEW: WALL STREET CRSHES IN A HYSTERCIAL MEME INFUSED REBELLION
The most impressive feature of Craig Gillespie’s DUMB MONEY is that it quickly shows you that this is actually a period piece film. While the time it dedicates itself to is all too recent it becomes apparent that 2020 and…
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ANATOMY OF A FALL REVIEW: A DEADLY MARRIAGE IS PUT ON TRAIL IN JUSTINE TRIET’S MASTERFUL EXAMINATION
There is nothing uncommon about suspicion of the spouse when a married person dies. Everyone has seen enough police and courtroom dramas to know your go to suspect is often right when unveiling the curtains of someone’s marriage. In lesser…
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THE BOY AND THE HERON TIFF REVIEW” THE BEST OF THE HITS COMES ALIVE IN MIYAZAKI’S BEAUTIFUL AND MESSY SWAN SONG
There comes a point where it becomes impossible to argue with a master. Hayao Miyazaki is just that; a master. A man who has mastered his craft of not just animation, but one that has taken us into a whole…