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10.11.2023 4:05 PM

THE SWEET EAST NYFF REVIEW: TALIA RYDER IS COMMANDING IN A LABYRINTH OF TEENAGE REBELLION
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10.8.2023 2:49 PM

AGGRO DR1FT NYFF REVIEW: KORINE CONTINUES TO PUSH THE BOUNDARIES WITH A DEMONIC ACID TRIP
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10.5.2023 4:03 PM

SCI-FI DOUBLE REVIEW: THE CREATOR AND FOE HAVE GRAND IDEAS WITH ROBOTIC EXECUTION
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10.3.2023 8:00 AM

MAESTRO NYFF REVIEW: BRADLEY COOPER AND CAREY MULLIGAN ARE MAGNIFICENT IN AN EXQUISITE SCENES FROM AN ORCHESTRA MARRIAGE
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10.2.2023 6:20 PM

ALL OF US STRANGERS NYFF REVIEW: ANDREW HAIGH SHATTERS YOUR HEART WITH A GAY GHOST STORY THAT LEAVES NO DRY EYES
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10.1.2023 5:03 AM

POOR THINGS NYFF REVIEW: EMMA STONE ASKS “WHAT WAS I MADE FOR” IN YORGOS LANTHIMOS’ BONKERS, SEX DRIVEN AND CURIOUS FEMINIST ODYSSEY
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9.30.2023 2:19 PM

MAY DECEMBER NYFF REVIEW: TODD HAYNE’S LATEST IS AS UNCOMFORTABLE AS IT IS GLORIOUS
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9.14.2023 3:36 PM

DUMB MONEY REVIEW: WALL STREET CRSHES IN A HYSTERCIAL MEME INFUSED REBELLION
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9.11.2023 3:34 PM

ANATOMY OF A FALL REVIEW: A DEADLY MARRIAGE IS PUT ON TRAIL IN JUSTINE TRIET’S MASTERFUL EXAMINATION
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9.8.2023 7:41 AM

THE BOY AND THE HERON TIFF REVIEW” THE BEST OF THE HITS COMES ALIVE IN MIYAZAKI’S BEAUTIFUL AND MESSY SWAN SONG
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