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4.4.2024 3:21 PM

A DIFFERENT MAN REVIEW: SEBASTIAN STAN EXCELS IN A GRUESOME LOOK AT BEAUTY AMONGST THE WORST PEOPLE IN THE WORLD
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3.22.2024 3:42 PM

ROAD HOUSE REVIEW: THIS SLOG OF A REMAKE SHOULD BE TOSSED OUT OF THE BAR
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3.19.2024 2:25 PM

DESERT ROAD SXSW REVIEW: THE BEST SURPRISE OF THE FESTIVAL HAS YOU STUCK IN A TERRIFYING BUT REASSURING RUT
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3.13.2024 5:39 PM

THE FALL GUY SXSW REVIEW: RYAN GOSLING AND EMILY BLUNT WANT YOU TO FALL FOR THEM AND THEN FALL AND FALL AGAIN IN THIS EXPLOSIVE CHARMER
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3.12.2024 6:55 PM

MONKEY MAN SXSW REVIEW: DEV PATEL GOES BEAST MODE AND DELIVERS A NEW ACTION ICON
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3.9.2024 4:23 PM

SING SING SXSW REVIEW: A MAGICAL LOVE FOR PERFORMING IS BROUGHT TO LIFE BY COLMAN DOMINGO AND A MUCH NEEDED REFORM PROGRAM
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2.27.2024 3:42 PM

DUNE: PART TWO REVIEW: A FALSE PROPHET RISES IN AN EXCEPTIONAL AND TERRIFYING SEQUEL
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2.15.2024 3:49 PM

MADAME WEB REVIEW: SONY SPINS ANOTHER DISASTROUS WEB IN ATTEMPTS TO UPHOLD COPYRIGHT
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1.27.2024 12:47 AM

SUNDANCE BREAKDOWN REVIEWS: “TENDABERRY” & “LITTLE DEATH
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1.25.2024 10:08 PM

“DÌDI” SUNDANCE REVIEW: SEAN WANG’S EMOTINAL COMING OF AGE SHOWS GROWING UP IN 2008 IS HELL, BUT SOME MOTION CITY SOUNDTRACK CAN FIX ANYTHING
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